Seating is limited for this intimate performance!
Potluck starts at 6PM Music starts at 7PMAll ages, family friendly-----------
Arkansaucehttp://www.arkansaucemusic.comhttps://youtu.be/5cVgvCFOuKU
Arkansauce is a genre-hopping, four piece string band from northwest Arkansas, bending the rules and blurring the lines between bluegrass, newgrass, folk, americana, country, blues, and funk. With a loyal following growing every day in the Natural State and along their tour routes, the band is proud to be stepping into a hard-driving sound unique to the Arkansas quartet.
The third album (If I Were You, released April 2017) of all original material finds the palate expanded with more complex melodies, intriguing rhythms, and hard-hitting hooks that leave the songs whirling around your head long after the listening experience.  
The hard-working musicians are filling the calendar with upcoming appearances at premiere music festivals and venues in and around Arkansas, Oklahoma, Texas, Mississippi, Colorado, New Mexico, and Missouri.  
The band’s roots go back to 2011 when founding members Ethan Bush, Zac Archuleta, and Stephen Jolly began writing together after becoming acquainted through mutual connections in the close-knit Fayetteville music scene. After a couple of years building a repertoire of original music and releasing their first album (Hambone) as a trio, they were joined by Tom Andersen on the upright bass and Adams Collins on the five-string banjo. The road-tested chops Andersen and Collins brought to the table helped to cultivate the mature, well-rounded sound needed to accommodate their sophomore release “All Day Long.”
An Arkansauce show is riddled with improvisational guitar, banjo, and mandolin leads, paired with powerful harmonies and heart-felt songwriting, all held together by deep foot-stompin' bass grooves. There’s an undeniably intimate connection between the band and their fans that's contagious and leaves everyone in front of, and on the stage wanting more. Arkansauce holds their head high, as they look forward to enjoying everything life and music has in store for them and their fans.
Derek Gripperhttps://www.derekgripper.com/https://www.youtube.com/watch?v=55QnOlXckOk
It took Derek Gripper untold hours of painstaking work to transcribe note-for-note the complex compositions of Malian kora player Toumani Diabaté and find a way of playing them on six-string guitar. The results appeared on his ninth album, “One Night on Earth.” The album created an unprecedented meeting point between the written tradition of Western classical music and the oral tradition of the West African griots.
Critical acclaim was quick to follow. Classical guitar legend John Williams said he thought it was “absolutely impossible until I heard Derek Gripper do it.” Toumani Diabaté himself asked for confirmation that it was indeed just one person playing one guitar. Both  invited Derek to collaborate with them: Derek performed with Williams in London’s Shakespeare’s Globe and King’s Place, and with Diabaté and his Symmetric Orchestra at the Acoustik Festival Bamako, Mali. He also played with Trio da Kali at Carnegie Hall and won a Songlines Award for the best album in Africa and the Middle East. Derek tours regularly in the USA, Canada, Britain, Europe, Zimbabwe, Swaziland, Namibia, Australia, Malaysia, India and Mali. 
Aside from these transcriptions Derek has created original music from his diverse influences, from Africa: Mali, Senegal, The Gambia, South Africa, Zimbabwe, Arvo Part, and Egberto Gismonti. Derek has also spent many years performing and recording his own translations of Bach’s violin and cello music, infusing his interpretations with his lessons from the oral traditions of Africa.
His works for string quartet, larger ensembles or installations have been performed/exhibited at The Venice Architecture Biennale, Peasmarsh Chamber Music Festival in the UK and used in films such as “Five Fingers For Marseilles.”
“Five stars…Gripper has brilliantly transferred [the kora] repertoire onto a regular six string guitar. He sees [Toumani] Diabaté as the Segovia, or indeed John Williams, of the kora, championing it as a solo instrument. And Gripper brilliantly takes it back to the guitar. He’s opening a whole new repertoire of classical guitar music…bringing African guitar into the classical mainstream.” [Simon Broughton]
“Gripper has cracked it…his playing has a depthless beauty, which does full justice to the complexity of Toumani’s compositions. To do so without any hint of the music being dumbed down is a staggering achievement on solo guitar.” [Nigel Williamson, Songlines Magazine]
“More than a labour of love, Gripper has brought a new purity to the dream-like improvisatory nature of these compositions. My recording of the year, so far!” [Tim Panting, Classical Guitar Magazine]
”The result is astounding, not just for its technical brilliance, but its musicality. Gripper executes these pieces with the precision and attention to detail one might expect from a great classical musician…It’s hard to imagine a more impressive and passionate rendering of Malian music on classical guitar.” [Banning Eyre, Afropop Worldwide]
“A true synthesis and a great album.” [Ian Kearey, fRoots]